Tag: a3

Use beginning sounds and ending sounds.

Book of the Week: There’s a Zoo in Room 22

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

There’s a Zoo in Room 22, by Judy Sierra

By this point in the year, I thought you might be getting close to exhausting your “beginning-of-the-year-school-story” collection, so here’s another one to use. This text has the added benefit of being a book of poetry, so you can spread out the poems throughout the next few weeks, or even the next few months (there are 26 poems — one for each letter of the alphabet). It’s also excellent for teachers helping students build a poetry anthology to use throughout the year.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

Accuracy

  • Use beginning and ending sounds. Many of the words that are the rhyming words in the poems are more than one syllable. Talk about how anticipating the word ending can cut your work in half — now you only need to decode the front part of the word.
  • Trade a word / guess a word that makes sense. This really goes along with using beginning and ending sounds, but it adds an additional challenge because most of the words you’re guessing aren’t simple rhymes, but multi-syllable words.

 

Fluency

  • Reread text. These poems don’t have the quick-hit rhyming scheme of Dr. Seuss, so it may take several readings to get the rhythm right. Include these poems in your students’ reading anthologies so they can continue to refine their oral fluency.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

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Book of the Week: Olly and Me

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

Olly and Me, by Shirley Hughes

This book is out of print, but we do have two copies in the mentor text bag in the bookroom. Although it looks like a regular children’s book (perhaps in the style of Eve Bunting), it’s actually a book of poetry. If you’ve been searching for a solid collection of free verse poetry, you’ve found it.

The author, Shirley Hughes, is apparently a household name across the pond in England. Her book Dogger was featured as The Guardian’s Classic of the Month in 2004.

The Guardian also posted a lengthy interview with Ms. Hughes in 2009, the best quote from which I believe is, “The idea that pictures are sternly removed from you as soon as you learn to read is a truly terrible one.”

I’d love to use this book to bridge from personal narrative writing into poetry, especially helping students realize the ideas they’ve generated for narrative can be transfered to another writing form.

One poem features a visit to the Natural History Museum. Poetry would be SUCH a neat way to reflect on a field trip!

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

Accuracy

  • Use beginning and ending sounds. The poem “Happy Birthday, Dear Mom” features a goodly collection of B words, without being a ridiculous tongue twister. In primary grades, this could be a good authentic text to pull /b/ sounds from.

Fluency

  • Voracious Reading. Voracious readers choose books written by both US and foreign authors. It could be worthwhile to talk about how a British accent might change the rhythm of poetry — sometimes rhyming words won’t rhyme if you say them in a standard Midwestern American accent. Many of our students have accents as well. How do our individual accents impact our oral and silent reading? This might even be an entry point into examining whether students are subvocalizing when they read silently.
  • Use punctuation to enhance phrasing and prosody. I’m not gonna lie, I still really struggle with figuring out how to read free verse poetry out loud. Do I stop at the end of the line? This runs counter to what we teach younger readers when they’re reading blocks of prose text. Or do I stop at the punctuation marks? What if there are no punctuation marks? If you need more practice like I do, The Writer’s Almanac often features non-rhyming poetry in its daily broadcast. Click on the “Listen” link, then fast forward to the end of the recording, which is when Garrison Keillor reads a poem out loud.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

Book of the Week: Meet Wild Boars

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions.

Meet Wild Boars, by Meg Rosoff and Sophie Blackall

See a preview of this book at Google Books.

Meet wild boars. They are crude, naughty, and wear sweet vintage-inspired duds. “They are dirty and smelly, bad-tempered and rude. Do you like them? Never mind. They do not like you either.”

DID YOU KNOW that wild boars are an invasive species to North America? It’s true — they came over from Europe. If you’re using this book with older kids, it might be neat to talk about metaphors — the boars as plaid-shirt-wearing ruffians are a bit of a pain, but is this perhaps also a commentary on wild pigs running amok?

Older students (huzzah for using picture books in high school!) might even extend this further to make comparisons with Margaret Atwood’s Oryx and Crake, where wild boars play an alarming role. (Did I just relate feminist speculative fiction to a children’s book about boars? OH YES I DID.)

There are no lesson plans included with this book. There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggestions:

Comprehension

  • Use prior knowledge to connect with text. Countless books are written where the mean old rotten character turns out to have charming, redeemable qualities in the end. Not so in this book. Yet, the author doesn’t advise the reader to take action against these meanies, just to be wary and respond appropriately. What a refreshingly honest message!

Accuracy

  • Use the picture… Do the words and pictures match? Onomatopoeia are great for getting students who think they don’t NEED to use the picture to slow down and take a look at the picture. If you don’t use the picture, how will you know precisely how to articulate that SNORT? How in the world could you decide what emotion TUSK conveys?

Fluency

  • Adjust and apply different reading rates to match text. We usually read a book with repeated phrases and patterns differently than we would a regular fiction book or a nonfiction text.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive criticism are always welcomed! Please leave a comment if you’ve found this helpful!

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