Tag: mini lesson

Book of the Week: A is for America

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

A is for America, by Devin Scillian

I love pretty much anything published by Sleeping Bear Press, and the bazillions of alphabet books they’ve printed are, by and large, pretty wonderful. We have a mentor text copy of A is for America ready to go in the bookroom.

You can access an extensive activity guide for almost every Sleeping Bear Press book here.

The author of this book is also the nightly news anchor for Channel 4 in my beloved Detroit, and it’s pretty awesome to see a “celebrity” author who can write pretty darn well.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

  • Back up and reread. This is a pretty dense text. I actually intended to post this lesson two weeks ago, but since then, *I* as a teacher have had to back up and reread the book several times. In the past, I’ve used Sleeping Bear Press alphabet books over several days, reading two letters (and reviewing each of the previous letters using call-and-response). Often, we talk about backing up and rereading if the text is CONFUSING, so it could be important to talk about backing up and rereading if the text is just plain DENSE.

  • Use dictionaries, thesauruses, and glossaries as tools. In my time away from teaching social studies, I forgot about the fabulous tool hidden in the back of our textbooks known as the Gazeteer. A “geographical dictionary,” isn’t that brilliant? I know I often tell students to not worry if they can’t pronounce a proper noun in text, but wouldn’t it be great to give each student a letter from the book and have them investigate each of the locations featured in their letter?

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

###

Book of the Week: The Runaway Dinner

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

The Runaway Dinner, by Allan Ahlberg

This is a great silly, nonsense book that reads like an extended version of “Hey Diddle Diddle” plus The Gingerbread Man.

Also, apparently I read this back in January 2011 and book talked it, whoops…

Allan Ahlberg has a bunch of other books, especially poetry books, that might be worthwhile to investigate.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

  • Infer and support with evidence. At the beginning of the story, and several places in the middle, the author insists the story is completely true. Ask students if they agree, and ask them why the narrator would have purposely, blatantly lied like he did.

  • Reread text. A cumulative story like this has reread text kind of built into it. To infuse a lesson on author’s craft, talk with students about why the author may have chosen this device for the story. It’s not quite as sing-songy as “There Was an Old Woman,” so why does it still work?

  • Ask someone to define the word for you. Items like ketchup, carrots, and french fries can’t be easily defined using a dictionary. In younger grades, consider using realia to support this lesson so students will be familiar with the dining utensils and foods they encounter as they read.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

###

Book of the Week: Too Much Noise

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

Too Much Noise, by Ann McGovern (illustrated by Simms Taback)

You can take a look at this text on Google Books. A video of it is also available below.

You might recognize Taback’s art from his Caldecott-winning Joseph had a Little Overcoat, and this book would pair nicely with it. Taback seems to gravitate toward cumulative stories (see here and here), which could prompt conversations for a good genre study (I know “cumulative stories” isn’t really a genre, so please help me if you know a better label). If you DO have a cumulative story study, make sure you include class favorite Drummer Hoff!

Oooh! Or even better! You could study this book along with fantastic cumulative story The Mitten! Use any version you prefer. I like the original by Alvin Tresselt or the adaptation by Jan Brett (clicking on the afore-linked link will take you to some rad Brett-designed animal masks so you can perform the book).

Here’s a math lesson with the same title as the book, but it’s actually totally unrelated. It aligns nicely to 2nd grade standards, though, so I figured I’d pass it along.

I wonder what it would be like to use this book at the beginning of the year to prompt a conversation about appropriate levels of noise at different times in the classroom.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

  • Tune in to interesting words. In my vocabulary lessons with my students, we often talk about the idea that “interesting words” don’t necessarily need to be the longest, most unusual words, they can also be short words or any words that are extremely effective. There aren’t any particularly striking words in this text, but the repetition of phrases in the text is important. This might be a good book to connect the strategy of using interesting words to the writing strategy of varying sentence length and structure.
  • Use pictures, illustrations, and diagrams. In a primary or heavily ELL class, discuss how the pictures support students connecting the new word introduced on each page (usually an animal) with an animal addition to the house. I usually use the example of “it’s a lot harder to read the word ‘elephant’ if you’ve never seen an elephant before or heard the word out loud.”

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

###

Book of the Week: Rechenka’s Eggs

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

Rechenka’s Eggs, by Patricia Polacco

Watch the Reading Rainbow episode for Rechenka’s Eggs:

You can find this book and other texts by Patricia Polacco in the red book box labeled “Favorite Authors.” If you’d like to help expand our school’s collection of Polacco books, you might want to consider helping support this Donors Choose project.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

Comprehension

 Behaviors That Support Reading

  • Select and read “Good Fit” books. If students like this Polacco story, they might also enjoy one of the dozens of other books she’s written. This might be a good choice for a student who avoids chapter book series, but is ready for more challenging text.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

###

Book of the Week: Olly and Me

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions. I hope you find this useful, and please leave a comment with any suggestions or additions!

Olly and Me, by Shirley Hughes

This book is out of print, but we do have two copies in the mentor text bag in the bookroom. Although it looks like a regular children’s book (perhaps in the style of Eve Bunting), it’s actually a book of poetry. If you’ve been searching for a solid collection of free verse poetry, you’ve found it.

The author, Shirley Hughes, is apparently a household name across the pond in England. Her book Dogger was featured as The Guardian’s Classic of the Month in 2004.

The Guardian also posted a lengthy interview with Ms. Hughes in 2009, the best quote from which I believe is, “The idea that pictures are sternly removed from you as soon as you learn to read is a truly terrible one.”

I’d love to use this book to bridge from personal narrative writing into poetry, especially helping students realize the ideas they’ve generated for narrative can be transfered to another writing form.

One poem features a visit to the Natural History Museum. Poetry would be SUCH a neat way to reflect on a field trip!

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggested lessons:

Accuracy

  • Use beginning and ending sounds. The poem “Happy Birthday, Dear Mom” features a goodly collection of B words, without being a ridiculous tongue twister. In primary grades, this could be a good authentic text to pull /b/ sounds from.

Fluency

  • Voracious Reading. Voracious readers choose books written by both US and foreign authors. It could be worthwhile to talk about how a British accent might change the rhythm of poetry — sometimes rhyming words won’t rhyme if you say them in a standard Midwestern American accent. Many of our students have accents as well. How do our individual accents impact our oral and silent reading? This might even be an entry point into examining whether students are subvocalizing when they read silently.
  • Use punctuation to enhance phrasing and prosody. I’m not gonna lie, I still really struggle with figuring out how to read free verse poetry out loud. Do I stop at the end of the line? This runs counter to what we teach younger readers when they’re reading blocks of prose text. Or do I stop at the punctuation marks? What if there are no punctuation marks? If you need more practice like I do, The Writer’s Almanac often features non-rhyming poetry in its daily broadcast. Click on the “Listen” link, then fast forward to the end of the recording, which is when Garrison Keillor reads a poem out loud.

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking!

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

Book of the Week: Dear Rebecca, Winter is Here

Every Monday, I highlight a book from our school bookroom along with lesson plan suggestions.

Dear Rebecca, Winter is Here, by Jean Craighead George

I suppose this post has a bit of a Christmas in July feel, seeing as how most of the country is crazy-hot and humid. If you need to cool down, you can preview the book here at Google Books. As you’ll learn, winter actually began June 21, according to Grandma’s character.

This book is written in a letter format, and I could see it working well with The Gardener, by Sarah Stewart. I also received a great tip from Ohio teacher Ms. LaCrosse that Jean Craighead George books are a pretty great resource for folks looking to integrate science into their literacy block.

Scholastic has leveling information, and a quick search brings up all sorts of resources connecting this book to the winter solstice.  I plan on using this with our weather unit this fall. There’s a Reading Rainbow episode called Snowy Day: Stories and Poems, and a good supplemental lesson plan with several other suggested books can be found here.

There is a CAFE menu included with this mentor text, and I’ve highlighted these as suggestions:

Comprehension

  • Check for understanding. If you’ve been teaching students to stop every paragraph or page or so to check for understanding, this could be a good book to help them refine the strategy. The whole book is one letter, so you can’t really stop all the way at the end of the letter (this would be contrast to the multiple letters in The Gardener, because you CAN pause and check for understanding at the end of each letter in that book). But at the same time, if you stopped EVERY page, meaning could actually be LOST because there’s not much text on each page and you’d be pausing in your reading an awful lot.
  • Use text features (titles, headings, captions, graphic features). George has her author’s note right at the front of the book rather than buried at the end. Why do students think she made that choice? The author’s note is brief, clear, and interesting, so copying it for students for a shared read might be a good idea. There’s a master copy of the author’s note already in the book bag if you need it.
  • Use main idea and supporting details to determine importance. About once sentence is on each page, and each section of text is accompanied by a small image. How did the illustrator choose what creature or scene would be featured in that small image? Does it relate to the main idea of the page, or does it illustrate a supporting detail? Maybe break students into pairs and give each pair a different page of the book.

 

Please add any lessons or supplemental materials to the book bag so future teachers can utilize your good thinking! You can find this text in the red bookroom bucket labeled realistic fiction or narrative nonfiction.

Comments and constructive feedback are always welcomed. Please let me know if these lessons were useful in your class!

###